Lilian May Miller, Tokyo Coolie Boy 1920

FAR EAST,
A WESTERN LOOK

Brown Pieter, Jehol Manchuria in winter
M. Keen et M. Lee, Séoul, Corée, 1951

MARIE-ANTOINETTE BOULLARD-DEVÉ (1887-1966)

Marie-Antoinette Boullard was born in Paris in 1887 and studied at the Beaux-Arts from 1908. There she met her first husband, the sculptor Pierre Fournier des Corats (1884-1953). In the early 1920s, she moved to Indochina and had the opportunity to travel through Annam, Laos, Siam, Cambodia and in particular the temples of Angkor. During this decade, she created works, sometimes marked by borrowings from the work of Gauguin, which made her known locally and in France. In 1926, she joined forces with Marc Chadourne to publish a magnificent work, Vision de l'Indochine, in which she delivered 20 plates of portraits of Indochinese men, women and children whose ethnographic character and intense humanity likens her to Alexandre Iacovleff.

But the exceptional character of her talent burst forth during the decoration she made for the Indochinese Pavilion of the International Colonial Exhibition in Paris in 1931. It is a frieze 40 meters long which represents the different populations of the territories from Southeast Asia. This unique work unfortunately had to be split up and had joined the Musée des Colonies de la Porte Dorée in Paris. It is now preserved at the Musée du Quai Branly. After the war, retired to Tangier where her son lived, she continued to paint colours and lights of North Africa and Spain and died in 1966.

Part of the frieze from the 1931 colonial exhibition. It represents the Mnong people. Gouache on paper (3 x 1,5 m)
Part of the frieze from the 1931 colonial exhibition. It represents the Mnong people. Gouache on paper (3 x 1,5 m)

Bibliography and recent exhibitions in France :

  • Vision de l’Indochine, de Marc Chadourne, études, pastels et gouaches de Mme A. Boullard-Devé, Plon, Paris, 1926
  • Du fleuve rouge au Mékong, Musée Cernushi, Paris, septembre 2012-janvier 2013 (catalogue)
  • Peintures des lointains, collections du Musée du Quai Branly, Paris, janvier 2018-février 2019 (catalogue)

The collection

Guerrier Moï assis, 1923, 7/243. Coll. J.D.
Guerrier Moï assis, 1923, 7/243. Coll. J.D.
Femme et enfants, métropole Hanoï, 3 sept. 1923, 3/243. Coll. J.D.
Femme et enfants, métropole Hanoï, 3 sept. 1923, 3/243. Coll. J.D.
Étude de Tonkinoise porteuse de fruits, 1924, 1/181. Coll. J.D.
Étude de Tonkinoise porteuse de fruits, 1924, 1/181. Coll. J.D.
Le Nho à la fleur jaune, 1924. Coll. J.D.
Le Nho à la fleur jaune, 1924. Coll. J.D.
Hanoï, Tonkin, Congaïe, étude pour « La Pêche », 1925. Coll. J.D.
Hanoï, Tonkin, Congaïe, étude pour « La Pêche », 1925. Coll. J.D.
Étude pour une femme d’Annam, Tourane, 1926, 6/181. Coll. J.D.
Étude pour une femme d’Annam, Tourane, 1926, 6/181. Coll. J.D.
Femme et enfant, 1926, 16/181. Coll. J.D.
Femme et enfant, 1926, 16/181. Coll. J.D.
L’Annamite au chapeau, Hué, 1926, 19/243. Coll. J.D.
L’Annamite au chapeau, Hué, 1926, 19/243. Coll. J.D.
Sans titre, 1926, 10/243. Coll. J.D.
Sans titre, 1926, 10/243. Coll. J.D.
Annamites, Hué, 1926, 13/243. Coll. J.D.
Annamites, Hué, 1926, 13/243. Coll. J.D.
Annam, 1926. Coll. J.D.
Annam, 1926. Coll. J.D.
Enfant coiffé du bonnet votif, 1926. Coll. J.D.
Enfant coiffé du bonnet votif, 1926. Coll. J.D.
Portrait d’enfant, 1926. Coll. J.D.
Portrait d’enfant, 1926. Coll. J.D.
Étude pour un chef Moï, sept. 1926, Tramy, 2/243. Coll. J.D.
Étude pour un chef Moï, sept. 1926, Tramy, 2/243. Coll. J.D.
Étude d’homme Moï, région Tramy, Tam-Ky, sept. 1926, 4/192. Coll. J.D.
Étude d’homme Moï, région Tramy, Tam-Ky, sept. 1926, 4/192. Coll. J.D.
Siam, sans date. Coll. J.D.
Siam, sans date. Coll. J.D.
Garçonnet, Annam, 1929. Coll. J.D.
Garçonnet, Annam, 1929. Coll. J.D.
Palais de Tu-Duc, 13 dec. 1931. Coll. J.D.
Palais de Tu-Duc, 13 dec. 1931. Coll. J.D.